So I'm totally late commenting on it, but Utada Hikaru has released
her third American album. I'm listening to it for the first time, so my thoughts may change, but...
Am I the only one who actually liked Exodus better?Don't get me wrong. I respect Hikki as a musician. She's talented, she takes control of her entire production (writing music, writing lyrics, arranging, etc.), and I love that she's always experimenting with different styles. But I feel like this entire album is manufactured with the express purpose of sounding just like all the crappy American pop/hip-hop we've been hearing for years. (Really, US? We need foreign musicians to sound exactly like our own worst offerings before we'll give them a chance?)
She's got some original lyrics ("Apple and Cinnamon") and of course her use of piano and hip-hop beats is catchy ("Merry Christmas Mr. Lawrence--FYI"), but I find myself wishing for the simplicity of her earlier stuff (associating the song "Automatic II" with her first-ever Japanese single, "Automatic," does a great disservice to the original song). Or at the very least I'd like to have heard more of the Asian-influenced techno stuff she's been working with for the past few years ("Passion," "Colors," etc.).
On the other hand, Bonnie Pink continues to delight, even if her newer stuff has moved more toward pop and away from the folksy stuff she started with. The mini-album (single?) with "Joy," "Happy Ending," and "You and I" is definitely worth listening to. And if you missed it, "Kane wo Narashite" (the Japanese version, not English-language version "Ring a Bell") was great.
Ayumi Hamasaki's latest album, NEXT LEVEL, isn't as strong as some of her previous stuff, but it has a few decent tracks, too, and harkens back to her dance-mix mid-90s era stuff (possibly because she's lost hearing in one ear and needs the beat to help her hear the music?). "Sparkle" is catchy (though the video, which centers around someone's Ayu-in-latex fetish, is a bit disturbing), and "NEXT LEVEL" is a good driving song. As always I found myself wishing some of her instrumentals were full-length songs rather than the little tidbits we get, but hey, I guess we should just be glad Ayu's sticking around despite her loss of hearing. After all, what would we do without the queen of J-pop?
This concludes your update on music you quite possibly don't care about.
This year's project: A fantasy (?) novel called Kingfisher Girl. You now know as much about it as I do.
November could be interesting....